Please join us for another in our series of research seminars:
Open-air museums: a designation in vogue for public art in urban districts
Speaker: J. Pedro Lorente, Department of Art History, University of Saragossa
Wednesday 17 June
1 – 2pm
Room 1.06, 18 Windsor Terrace
Art collections permanently exhibited in public spaces are sometimes called ‘open air museums”. This notion has been constructed over time, building on historical precedents and in dialectic interaction with other related concepts like ‘sculpture gardens’. The result is not a clear-cut definition, but a changing perception, carrying diverse connotations according to different languages and cultural contexts. The modern paradigm was set by Middelheim Open Lucht Museum created in 1950 by the municipality of Antwerp in a suburban park, emulated in the French-speaking University of Liège, since the creation in 1977 of a Musée en Plein Air in the campus of Sart Tilman; some features were slighly different in another famous instance, the Musée de sculpture à plein air de la Ville de Paris, inaugurated in 1980 on a riverbank between Île Saint-Louis and the Gare d’Austerlitz. But the triumph of a post-modern return to the city centre was heralded by the founding in 1972-79 of the polemical Museo de Escultura al Aire Libre in Madrid. It’s influence has been enormous in Spain and other Latin countries, where many collections of public art gathered as part of urban regeneration processes have been proudly labeled as museums. Are they?